/tagged/Hicok/page/2

WISTFUL SOUNDS LIKE A BRAND OF FRESHENER | Bob Hicok

I will go to Belfast, Maine, and read my poetry to crabs.
I'll stand on a platform of some kind in the company of wind
and look at pennants waving and think of the claws
of crabs waving in the wind of the Atlantic and be sad.
It's not that I don't have enough sadness, but I'm always looking
for better, more aquatic or tastier sadness, for the kind
of light that comes when the sky tilts its head at dusk
and wonders, in colors we understand as language, why this all
has to end. I could doff a Bogart hat and wag a tough cigarette
between my lips, smoke muscling up from my mouth as I say, it just does,
sweetheart, it just does, but the psychology of the fedora
escapes me. There's bread and calisthenics and lice and radar
and jars of blue stuff in stores, and maybe what I'm doing
when I cry to certain songs at seventy miles an hour, is proving
I've noticed that out of the nothing that could be here,
everything is. So I will go to Belfast, Maine, and wonder
what it's like to stand beside Main Street in the winter,
I'll put my head against the brick buildings I'm betting
live there year-round and describe the tropics to them
by having warm thoughts, and if you'd like to meet me there,
I'll be the man in the t-shirt that has an extra sleeve
in case the third arm I need shows up, because so far,
I've dropped almost everything I'm desperate to hold.

from A THEORY OF MATTER | Bob Hicok

Some walls in Morocco

have a wolf’s head inside. For luck.

Tear down my breath and you’ll find

a wolf’s head inside. For now.

from WERE I ADAM, THE POEM I’D WRITE EVE | Bob Hicok

… how you are the beginning

of life as I know it, the going under

in small tufts and rivulets of spring,

the severings I’ve always loved

as seeds are the death of the apple

for now.

from HER MY BODY | Bob Hicok

There is a piece of a second
during which a jet is not flying
nor is it on the ground.

I’m working on a theory
that no one can die
inside that piece of a second.

If you are comforted
by this thought you are welcome
to keep it.


SWITCHING TO DEER TIME | Bob Hicok

Three deer on the nearby hill and maybe more
on the farby hill and probably every hill
in this place of hills had deer on it
eating the gray-green grass of December
in the early light. How I decide

to get out of bed these days is deer.
If I look out my window and see them
I know it’s time to feed my feet
to the mouths of my jeans
and when I told my wife the deer
are my new clock she said they won’t fit
on the mantle. The clock of three deer

watched me walk down the drive
to get the paper but I was alone
at the bottom of the hill when I read
there were twenty thousand dead
in Iran from a quake. Yesterday
it was twelve thousand dead
and the day before ten thousand dead
and I sensed a pattern. In the cold
sensed a pattern, with mittens on
sensed a pattern and coming back
into view of the clock of three deer
I waved and shouted I have sensed a pattern.

Of course they were intuitively aware
of this pattern, that everything
which eats also hunts and everything
that hunts is also eaten, including
the buckling Earth, including my mittens
and the mist rising from my mouth, the white
husk of breath, of course they ran
from my voice into woods
from which I later heard the pop
of shotguns, which sound soft
from afar like champagne being opened
but loud from near like flesh being opened.

It was just after the song of champagne
began that I thought, right now, this instant,
precisely as I put the corner of this toast
into my mouth, a boy, a girl sits on the rubble
of his former roof, her one time wall
and holds the hand of his buried mother,
the foot of her crushed father, not
because I am sentimental did I think this
though I am but because twenty thousand dead
means every sorrow we can imagine
and every sorrow we can’t has occurred.
And deer are the best clocks because time

is twitchy, is a nervous thing
running away from us into woods,
into its own death and I don’t like
wrist watches, have never worn one,
don’t like cuckoos, all birds should fly,
don’t like Big Ben because people
were tortured in that tower, time
is politics of the worst sort,
is who controls the numbers
and it isn’t me, is never you
and just three days ago the clock
of the ground struck the hour

of twenty thousand deaths and tomorrow
the paper will say otherwise, will say more
and if I look into the brown eyes
of deer there is no time, no feeling
except peace, which isn’t real but neither

I sometimes hope are we.

THE PERSONAL TOUCH | Bob Hicok

I have fifteen cloud stamps, it says on the back
cirrus means curl of hair, altocumulus
lenticularis look like UFOs, I have put hair,
an alien invasion on the envelope bearing the letter
you’ll read under the sky of your living room,
crappy light fixture sky, falling plaster sky,
have snugged in the envelope fifteen pictures
of my hand holding fifteen stamps beneath the skies
from which they were born, the one inch by one inch
cumulus humilis beneath the ohmygod by ohmygod
cumulus humilis, say that again, it suggests
humility and accumulation, these are the wide
and flat clouds that disappear by sunset,
what if we called them soul clouds, what if we claimed
to be descended from the sky, I can’t stop
saying sky, how about every third word is sky,
how’s it sky there, my sky? and I’ll write
more often now that I can send you buoyancy,
these playgrounds for airplanes, I feel better
just looking at them, taller, capable of swirls
and Latin, altocumulus castellanus, altostratus
translucidus, here are the possible incarnations
of floating gathered on a little sheet
except nimbostratus, “a dark, featureless cloud
marked by falling rain or snow,” why exclude a portrait
of your dominant mood, it would have been nice
to send a picture of how you feel beside a picture
of how I wish you could feel, cirrostratus fibratus,
a transparent cloud which gives the sun a halo,
you might stick a dozen halos on your forehead,
seven hundred on the mirror, anyway I miss you
my little undulatus, sweety opacus, let’s pretend
Heaven exists in the guise of postage, and though
these are the kind of stamps you don’t have to lick,

I do.

IN A TIME OF BIBLICAL REFERENCE | Bob Hicok

I’ve fallen behind. I have in fact
a broken leg from how far I’ve fallen behind,
and walk on crutches of falling behind,
to this tune somehow of an organ to the side
of my head, where there is no bird even
making a sound. I was the man going up and down
your stairs last night on crutches
of falling behind, trying to get up the nerve
to wake you and ask what I’m supposed to be doing,
which nuts gathering, if, while sorting,
the red tin is for the blue tips
that twist on the end of the green wires,
you see, everyone I ask is uncertain
about the color-coding. Weirdly, it’s not always
my right leg I’ve broken, as if the failures
too are vagabonds, all of us needing
more than anything the travel brochures
so we know that where we’re going
looks like where we’re going and not some other
sea-side resort we’ve already been to
and grew tired of how the water smells
like diapers. You know the place. I was supposed
to pave a bedroom over by now, this blue morn,
this crisp, I-could-be-a-Granny-Smith-apple day,
or shellac it, or corner the Prime Minister
and make a case for the little ones, please, sir,
are you not human, though my God, consider
the answers to that. Yes, I am human: no, I am not:
technically, I occupy a mid-state
between species differentiation, affording me
these oblong appendages covered in suction cups.
The last is actually who I voted for, thinking,
once he set about a problem, there’d be no letting go.
I’d say everything I do amounts to running my hands
over the surface to find the seams, seams
I’d widen to gaps, gaps I’d shoulder to skies,
the whole openness parade. Just the other day
I took a pry bar to my face in the mirror, locusts
sound like purring when they come streaming
from your head. Try it. It kind of tickles
before the land is stripped.

from WEATHER REPORT | Bob Hicok

My paranoia is that the sky
is following me because every time I look up I notice
the ballet of clouds, and when the rain ends
about eight, I go outside and the cats
bring their career of licking themselves along,
the cumulus has broken into castles and pieces of brain
the size of the idea that we are not alone,
and if my chest is not fifteen miles wide as I breathe
the just washed horizon, it is fourteen miles wide.

THE NEW MATH | Bob Hicok

These are the notions of how the world would be better. Shoot all the anti-Semites. Wear only red socks. Hunt truth like the wolf hunts elk, in packs, with relentless teeth. Make language stand up and be something like a house, give it the force of wind, the courage of a storm to destroy itself. What we think of as wild I think of as honest. Doing, not what you think, but what you are. The different between counting the rings of a tree and finding a place in the sky. A theory toward wolf would be a fine addition to the history of advice. Train the spine to walk on fours. Claim only that which your urine can touch. Find faith in the scent of things. Humans are metaphors. Chagall was a synagogue dreaming of being a man. When his paintings meet, they lick each other like wolves. I go nowhere without alienation, I carry it like a pouch of anvils, not belonging is the way I belong. This brings us to the strange math of our heads, the impossibility of dividing by zero. If we could solve that equation, we’d be happy. I give you pencil, I give you paper, I wish you luck. Wolf would make a better denominator. Divide any number by wolf, you get wolf.

WEATHER REPORT | Bob Hicok

Cats are new to me is why I call them
lizards in hair suits. Every afternoon this week
at about three it has begun to rain, lightly, like
my mother used to rain over shirts and pants
as she ironed, rain from a Pepsi bottle with a nozzle
attached like a small shower head, at three o’clock
this smooth-crease rain, this white Oxford rain
turns the sun down and the house dark like the walls
are being painted the color of a cave for the arrival
of lightning. By five, the clouds are porridge
over the mountains and the cats are being chased
up and down the stairs by thunder, they have slit eyes
like lizards and their feet are the softest hammers
the wooden stairs have met, and though I moo and purr
like an outboard motor wrapped in cotton candy,
they are not comforted and I am useless except
that speaking another language makes me hungry.
It’s reasonable to think the sky is trying to break
the earth and to run from this breaking and hide
in the open drawer of a dresser with socks which cannot
be broken, I would were I smaller like I was when I hid
in the boxes we moved so often to the same storm
in different cities. My paranoia is that the sky
is following me because every time I look up I notice
the ballet of clouds, and when the rain ends
about eight, I go outside and the cats
bring their career of licking themselves along,
the cumulus has broken into castles and pieces of brain
the size of the idea that we are not alone,
and if my chest is not fifteen miles wide as I breathe
the just washed horizon, it is fourteen miles wide.

WISTFUL SOUNDS LIKE A BRAND OF FRESHENER | Bob Hicok

I will go to Belfast, Maine, and read my poetry to crabs.
I'll stand on a platform of some kind in the company of wind
and look at pennants waving and think of the claws
of crabs waving in the wind of the Atlantic and be sad.
It's not that I don't have enough sadness, but I'm always looking
for better, more aquatic or tastier sadness, for the kind
of light that comes when the sky tilts its head at dusk
and wonders, in colors we understand as language, why this all
has to end. I could doff a Bogart hat and wag a tough cigarette
between my lips, smoke muscling up from my mouth as I say, it just does,
sweetheart, it just does, but the psychology of the fedora
escapes me. There's bread and calisthenics and lice and radar
and jars of blue stuff in stores, and maybe what I'm doing
when I cry to certain songs at seventy miles an hour, is proving
I've noticed that out of the nothing that could be here,
everything is. So I will go to Belfast, Maine, and wonder
what it's like to stand beside Main Street in the winter,
I'll put my head against the brick buildings I'm betting
live there year-round and describe the tropics to them
by having warm thoughts, and if you'd like to meet me there,
I'll be the man in the t-shirt that has an extra sleeve
in case the third arm I need shows up, because so far,
I've dropped almost everything I'm desperate to hold.

from A THEORY OF MATTER | Bob Hicok

Some walls in Morocco

have a wolf’s head inside. For luck.

Tear down my breath and you’ll find

a wolf’s head inside. For now.

from WERE I ADAM, THE POEM I’D WRITE EVE | Bob Hicok

… how you are the beginning

of life as I know it, the going under

in small tufts and rivulets of spring,

the severings I’ve always loved

as seeds are the death of the apple

for now.

from HER MY BODY | Bob Hicok

There is a piece of a second
during which a jet is not flying
nor is it on the ground.

I’m working on a theory
that no one can die
inside that piece of a second.

If you are comforted
by this thought you are welcome
to keep it.


SWITCHING TO DEER TIME | Bob Hicok

Three deer on the nearby hill and maybe more
on the farby hill and probably every hill
in this place of hills had deer on it
eating the gray-green grass of December
in the early light. How I decide

to get out of bed these days is deer.
If I look out my window and see them
I know it’s time to feed my feet
to the mouths of my jeans
and when I told my wife the deer
are my new clock she said they won’t fit
on the mantle. The clock of three deer

watched me walk down the drive
to get the paper but I was alone
at the bottom of the hill when I read
there were twenty thousand dead
in Iran from a quake. Yesterday
it was twelve thousand dead
and the day before ten thousand dead
and I sensed a pattern. In the cold
sensed a pattern, with mittens on
sensed a pattern and coming back
into view of the clock of three deer
I waved and shouted I have sensed a pattern.

Of course they were intuitively aware
of this pattern, that everything
which eats also hunts and everything
that hunts is also eaten, including
the buckling Earth, including my mittens
and the mist rising from my mouth, the white
husk of breath, of course they ran
from my voice into woods
from which I later heard the pop
of shotguns, which sound soft
from afar like champagne being opened
but loud from near like flesh being opened.

It was just after the song of champagne
began that I thought, right now, this instant,
precisely as I put the corner of this toast
into my mouth, a boy, a girl sits on the rubble
of his former roof, her one time wall
and holds the hand of his buried mother,
the foot of her crushed father, not
because I am sentimental did I think this
though I am but because twenty thousand dead
means every sorrow we can imagine
and every sorrow we can’t has occurred.
And deer are the best clocks because time

is twitchy, is a nervous thing
running away from us into woods,
into its own death and I don’t like
wrist watches, have never worn one,
don’t like cuckoos, all birds should fly,
don’t like Big Ben because people
were tortured in that tower, time
is politics of the worst sort,
is who controls the numbers
and it isn’t me, is never you
and just three days ago the clock
of the ground struck the hour

of twenty thousand deaths and tomorrow
the paper will say otherwise, will say more
and if I look into the brown eyes
of deer there is no time, no feeling
except peace, which isn’t real but neither

I sometimes hope are we.

THE PERSONAL TOUCH | Bob Hicok

I have fifteen cloud stamps, it says on the back
cirrus means curl of hair, altocumulus
lenticularis look like UFOs, I have put hair,
an alien invasion on the envelope bearing the letter
you’ll read under the sky of your living room,
crappy light fixture sky, falling plaster sky,
have snugged in the envelope fifteen pictures
of my hand holding fifteen stamps beneath the skies
from which they were born, the one inch by one inch
cumulus humilis beneath the ohmygod by ohmygod
cumulus humilis, say that again, it suggests
humility and accumulation, these are the wide
and flat clouds that disappear by sunset,
what if we called them soul clouds, what if we claimed
to be descended from the sky, I can’t stop
saying sky, how about every third word is sky,
how’s it sky there, my sky? and I’ll write
more often now that I can send you buoyancy,
these playgrounds for airplanes, I feel better
just looking at them, taller, capable of swirls
and Latin, altocumulus castellanus, altostratus
translucidus, here are the possible incarnations
of floating gathered on a little sheet
except nimbostratus, “a dark, featureless cloud
marked by falling rain or snow,” why exclude a portrait
of your dominant mood, it would have been nice
to send a picture of how you feel beside a picture
of how I wish you could feel, cirrostratus fibratus,
a transparent cloud which gives the sun a halo,
you might stick a dozen halos on your forehead,
seven hundred on the mirror, anyway I miss you
my little undulatus, sweety opacus, let’s pretend
Heaven exists in the guise of postage, and though
these are the kind of stamps you don’t have to lick,

I do.

IN A TIME OF BIBLICAL REFERENCE | Bob Hicok

I’ve fallen behind. I have in fact
a broken leg from how far I’ve fallen behind,
and walk on crutches of falling behind,
to this tune somehow of an organ to the side
of my head, where there is no bird even
making a sound. I was the man going up and down
your stairs last night on crutches
of falling behind, trying to get up the nerve
to wake you and ask what I’m supposed to be doing,
which nuts gathering, if, while sorting,
the red tin is for the blue tips
that twist on the end of the green wires,
you see, everyone I ask is uncertain
about the color-coding. Weirdly, it’s not always
my right leg I’ve broken, as if the failures
too are vagabonds, all of us needing
more than anything the travel brochures
so we know that where we’re going
looks like where we’re going and not some other
sea-side resort we’ve already been to
and grew tired of how the water smells
like diapers. You know the place. I was supposed
to pave a bedroom over by now, this blue morn,
this crisp, I-could-be-a-Granny-Smith-apple day,
or shellac it, or corner the Prime Minister
and make a case for the little ones, please, sir,
are you not human, though my God, consider
the answers to that. Yes, I am human: no, I am not:
technically, I occupy a mid-state
between species differentiation, affording me
these oblong appendages covered in suction cups.
The last is actually who I voted for, thinking,
once he set about a problem, there’d be no letting go.
I’d say everything I do amounts to running my hands
over the surface to find the seams, seams
I’d widen to gaps, gaps I’d shoulder to skies,
the whole openness parade. Just the other day
I took a pry bar to my face in the mirror, locusts
sound like purring when they come streaming
from your head. Try it. It kind of tickles
before the land is stripped.

from WEATHER REPORT | Bob Hicok

My paranoia is that the sky
is following me because every time I look up I notice
the ballet of clouds, and when the rain ends
about eight, I go outside and the cats
bring their career of licking themselves along,
the cumulus has broken into castles and pieces of brain
the size of the idea that we are not alone,
and if my chest is not fifteen miles wide as I breathe
the just washed horizon, it is fourteen miles wide.

THE NEW MATH | Bob Hicok

These are the notions of how the world would be better. Shoot all the anti-Semites. Wear only red socks. Hunt truth like the wolf hunts elk, in packs, with relentless teeth. Make language stand up and be something like a house, give it the force of wind, the courage of a storm to destroy itself. What we think of as wild I think of as honest. Doing, not what you think, but what you are. The different between counting the rings of a tree and finding a place in the sky. A theory toward wolf would be a fine addition to the history of advice. Train the spine to walk on fours. Claim only that which your urine can touch. Find faith in the scent of things. Humans are metaphors. Chagall was a synagogue dreaming of being a man. When his paintings meet, they lick each other like wolves. I go nowhere without alienation, I carry it like a pouch of anvils, not belonging is the way I belong. This brings us to the strange math of our heads, the impossibility of dividing by zero. If we could solve that equation, we’d be happy. I give you pencil, I give you paper, I wish you luck. Wolf would make a better denominator. Divide any number by wolf, you get wolf.

WEATHER REPORT | Bob Hicok

Cats are new to me is why I call them
lizards in hair suits. Every afternoon this week
at about three it has begun to rain, lightly, like
my mother used to rain over shirts and pants
as she ironed, rain from a Pepsi bottle with a nozzle
attached like a small shower head, at three o’clock
this smooth-crease rain, this white Oxford rain
turns the sun down and the house dark like the walls
are being painted the color of a cave for the arrival
of lightning. By five, the clouds are porridge
over the mountains and the cats are being chased
up and down the stairs by thunder, they have slit eyes
like lizards and their feet are the softest hammers
the wooden stairs have met, and though I moo and purr
like an outboard motor wrapped in cotton candy,
they are not comforted and I am useless except
that speaking another language makes me hungry.
It’s reasonable to think the sky is trying to break
the earth and to run from this breaking and hide
in the open drawer of a dresser with socks which cannot
be broken, I would were I smaller like I was when I hid
in the boxes we moved so often to the same storm
in different cities. My paranoia is that the sky
is following me because every time I look up I notice
the ballet of clouds, and when the rain ends
about eight, I go outside and the cats
bring their career of licking themselves along,
the cumulus has broken into castles and pieces of brain
the size of the idea that we are not alone,
and if my chest is not fifteen miles wide as I breathe
the just washed horizon, it is fourteen miles wide.

WISTFUL SOUNDS LIKE A BRAND OF FRESHENER | Bob Hicok
from A THEORY OF MATTER | Bob Hicok
from WERE I ADAM, THE POEM I’D WRITE EVE | Bob Hicok
from HER MY BODY | Bob Hicok
SWITCHING TO DEER TIME | Bob Hicok
THE PERSONAL TOUCH | Bob Hicok
IN A TIME OF BIBLICAL REFERENCE | Bob Hicok
from WEATHER REPORT | Bob Hicok
THE NEW MATH | Bob Hicok
WEATHER REPORT | Bob Hicok

About:

I want to be at least as alive as the vulgar. And if some aficionado of my mess says
"That's not like Frank!," all to the good! I don't wear brown and grey suits all the
time, do I? No. I wear workshirts to the opera,
often. I want my feet to be bare,
I want my face to be shaven, and my heart--you can't plan on the heart, but
the better part of it, my poetry, is open.
— Frank O'Hara

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