/tagged/poetry/page/2

THE LAYERS | Stanley Kunitz

I have walked through many lives,
some of them my own,
and I am not who I was,
though some principle of being
abides, from which I struggle
not to stray.
When I look behind,
as I am compelled to look

before I can gather strength
to proceed on my journey,
I see the milestones dwindling
toward the horizon
and the slow fires trailing
from the abandoned camp-sites,
over which scavenger angels
wheel on heavy wings.

Oh, I have made myself a tribe
out of my true affections,
and my tribe is scattered!
How shall the heart be reconciled
to its feast of losses?
In a rising wind
the manic dust of my friends,
those who fell along the way,

bitterly stings my face.
Yet I turn, I turn,
exulting somewhat,
with my will intact to go
wherever I need to go,
and every stone on the road
precious to me.
In my darkest night,
when the moon was covered

and I roamed through wreckage,
a nimbus-clouded voice
directed me:
"Live in the layers,
not on the litter."
Though I lack the art
to decipher it,
no doubt the next chapter
in my book of transformations

is already written.
I am not done with my changes.

ON THE MONA LISA | Anne Carson

Every day he poured his question into her, as you pour water from one vessel into another, and it poured back. Don’t tell me he was painting his mother, lust, et cetera. There is a moment when the water is not in one vessel nor in the other - what a thirst it was, and he supposed that when the canvas became completely empty he would stop. But women are strong. She knew vessels, she knew water, she knew mortal thirst.

(Source: muscovite)

CIRCLE OF SALT | Laura Kochman

If I had no head. If no one raced ahead of me. If I could complete the task, finish the thought. If I had a horse to take me there. If my feet were not fastened to the ground. If I received instruction, or a letter, or an empty envelope. If imprinted. If I could make myself a mirror. If I could make a mirror an ocean. If I could make an ocean a forest. If I could find the pass, the pasture. If a fleet foot. If an ocean-going vessel. If the boat could be bailed. If I could find the mouth of the whale, the fibers of its dry teeth. If I drowned. If I did not drown. If I swallowed seawater and filtered out foreign bodies. If my mouth were so large I could not see my feet. If I had no feet. If a house had no footprint. If I slid along a glassy surface to a yawning doorframe, fast, made fast, fastened.

from

Jellyfish 5.0

BIG ADVENTURE II | Caroline Cabrera

Well, things are not very good around here anymore.
No clothes to wear. No raisins for the oatmeal.
I think it’s time we revved our engines if only
to make sure they still turn over. I knitted
a trampoline that will send us over the perimeter wall.
I am almost sure we can clear it and you won’t be splat
like a pancake. We will need a lot of hidden compartments
in our sneaking gear, if only to hold things closer to us.
Last time, I think I may have lost too much.
Everything we’re planning is so full of promise,
I think. I worry sometimes that I am going too far,
but then I always bring you along like a safety net,
which is also like a trampoline, a little.
You are so careful when you swallow those light bulbs!
You are so thoughtful with your comfortable shoes.

BIG ADVENTURE I | Caroline Cabrera

There were so many giants and tigers
and scary and exciting things before
that I am pretty tired now.
I almost don’t have the heart to tell you
my overalls fell off somewhere back there
and I’ve been running through the swamp
in my underclothes. Nothing turned out
as I had planned it in my Big Adventure Notebook
even though I dragged around a basket of provisions
in a little red wagon. Even though I hired
a really attentive watch dog our hiding place was pillaged
and stripped for spare parts and sold at a chop shop.
Someone stomped out all my luminarias—
I’m not a fool. I know they weren’t essential,
but I like pretty things on fire; I like cat-o-nine tails.
Unexpectedly, a spontaneous band
moved in on our picnic table
halfway through the egg salad sandwiches.
We had to share and now I’m half naked
without dinner plans. And yes, by ‘my overalls’
I meant ‘your overalls’ and I am sorry
and I am sticky. And you are more talented at espionage,
which, I’m not ashamed to say, makes me jealous,
and frankly, surprised. From now on
I will watch you closer, little bear, little beast.

WISTFUL SOUNDS LIKE A BRAND OF FRESHENER | Bob Hicok

I will go to Belfast, Maine, and read my poetry to crabs.
I'll stand on a platform of some kind in the company of wind
and look at pennants waving and think of the claws
of crabs waving in the wind of the Atlantic and be sad.
It's not that I don't have enough sadness, but I'm always looking
for better, more aquatic or tastier sadness, for the kind
of light that comes when the sky tilts its head at dusk
and wonders, in colors we understand as language, why this all
has to end. I could doff a Bogart hat and wag a tough cigarette
between my lips, smoke muscling up from my mouth as I say, it just does,
sweetheart, it just does, but the psychology of the fedora
escapes me. There's bread and calisthenics and lice and radar
and jars of blue stuff in stores, and maybe what I'm doing
when I cry to certain songs at seventy miles an hour, is proving
I've noticed that out of the nothing that could be here,
everything is. So I will go to Belfast, Maine, and wonder
what it's like to stand beside Main Street in the winter,
I'll put my head against the brick buildings I'm betting
live there year-round and describe the tropics to them
by having warm thoughts, and if you'd like to meet me there,
I'll be the man in the t-shirt that has an extra sleeve
in case the third arm I need shows up, because so far,
I've dropped almost everything I'm desperate to hold.

CATCH A BODY | Ilse Bendorf

Salinger, I’m sorry, but “Don’t ever tell
anybody anything” is a string of words
I would like to wrap up in canvas and sink
to the bottom of the Hudson, or extract
by laser from the ribcage of all of us
who ever believed it, who felt afraid
to miss someone, to be the last one
standing. “Tell everyone everything” is
not exactly right, but I do believe that if
your mother looks radiant in violet
you should tell her, or when a juvenile
sparrow thrashes its wings in dustpiles
and reminds you of a lover’s eyelashes,
you should say so. We are islands all of us,
but we are also boats, our secrets flares,
pyrotechnic devices by which we signal
there’s someone in here we’re still alive!
So maybe it’s, “don’t be afraid.” We can
rewrite Icarus, flame-resistant feathers,
wax that won’t melt, I mean it, I’ll draw up
a prototype right now, that burning ball
of orange won’t stop us, it’ll be everything
we dream the morning after, even if we fall
into the sea—we are boats, remember?
We are pirates. We move in nautical miles.
Each other’s anchors, each other’s buoys,
the rocket’s red, already the world entire.

BUSH | Josephine Jackson

It is the sound of lions lapping.

They drink themselves

from the gold shapes that waver

and grow shallower.


Blue peels itself in the water-

hole; it is the sun coming.

Crouched, the lions meet

their matches at the surface.


The foxy jackals are far off

but the vultures cloud the flat treetop;

the drum of the zebra’s body

is lined with red sunrise.


The jackals and culture are waiting

for what happened under the moon.

The lions are through with it; they

lift their dripping chins and look ahead.


It is six o’clock on Christmas morning.

Now the lions have stopped lapping

the bush makes no sound

the cultures shift, but without sound.


The day is perfectly seamless.

Slowly the lions move like pistons past the dry grasses

the jackals do not move yet;

the vultures show patience.


The lions pass a thornbush and melt.

Though the whole day is unbroken

the passage of the sun will represent heaven;

the bones will represent time.

FOR THE DEAD | Adrienne Rich

 I dreamed I called you on the telephone
 to say: Be kinder to yourself
 but you were sick and would not answer

 The waste of my love goes on this way
 trying to save you from yourself

 I have always wondered about the left-over
 energy, the way water goes rushing down a hill
 long after the rains have stopped

 or the fire you want to go to bed from
 but cannot leave, burning-down but not burnt-down
 the red coals more extreme, more curious
 in their flashing and dying
 than you wish they were
 sitting long after midnight


/////////////////////////////

RIP Adrienne Rich, you changed my life.

THE LAYERS | Stanley Kunitz

I have walked through many lives,
some of them my own,
and I am not who I was,
though some principle of being
abides, from which I struggle
not to stray.
When I look behind,
as I am compelled to look

before I can gather strength
to proceed on my journey,
I see the milestones dwindling
toward the horizon
and the slow fires trailing
from the abandoned camp-sites,
over which scavenger angels
wheel on heavy wings.

Oh, I have made myself a tribe
out of my true affections,
and my tribe is scattered!
How shall the heart be reconciled
to its feast of losses?
In a rising wind
the manic dust of my friends,
those who fell along the way,

bitterly stings my face.
Yet I turn, I turn,
exulting somewhat,
with my will intact to go
wherever I need to go,
and every stone on the road
precious to me.
In my darkest night,
when the moon was covered

and I roamed through wreckage,
a nimbus-clouded voice
directed me:
"Live in the layers,
not on the litter."
Though I lack the art
to decipher it,
no doubt the next chapter
in my book of transformations

is already written.
I am not done with my changes.

ON THE MONA LISA | Anne Carson

Every day he poured his question into her, as you pour water from one vessel into another, and it poured back. Don’t tell me he was painting his mother, lust, et cetera. There is a moment when the water is not in one vessel nor in the other - what a thirst it was, and he supposed that when the canvas became completely empty he would stop. But women are strong. She knew vessels, she knew water, she knew mortal thirst.

(Source: muscovite)

Siken <333

Siken <333

(Source: yourslaughterhouse, via empty-the-moon)

CIRCLE OF SALT | Laura Kochman

If I had no head. If no one raced ahead of me. If I could complete the task, finish the thought. If I had a horse to take me there. If my feet were not fastened to the ground. If I received instruction, or a letter, or an empty envelope. If imprinted. If I could make myself a mirror. If I could make a mirror an ocean. If I could make an ocean a forest. If I could find the pass, the pasture. If a fleet foot. If an ocean-going vessel. If the boat could be bailed. If I could find the mouth of the whale, the fibers of its dry teeth. If I drowned. If I did not drown. If I swallowed seawater and filtered out foreign bodies. If my mouth were so large I could not see my feet. If I had no feet. If a house had no footprint. If I slid along a glassy surface to a yawning doorframe, fast, made fast, fastened.

from

Jellyfish 5.0

BIG ADVENTURE II | Caroline Cabrera

Well, things are not very good around here anymore.
No clothes to wear. No raisins for the oatmeal.
I think it’s time we revved our engines if only
to make sure they still turn over. I knitted
a trampoline that will send us over the perimeter wall.
I am almost sure we can clear it and you won’t be splat
like a pancake. We will need a lot of hidden compartments
in our sneaking gear, if only to hold things closer to us.
Last time, I think I may have lost too much.
Everything we’re planning is so full of promise,
I think. I worry sometimes that I am going too far,
but then I always bring you along like a safety net,
which is also like a trampoline, a little.
You are so careful when you swallow those light bulbs!
You are so thoughtful with your comfortable shoes.

BIG ADVENTURE I | Caroline Cabrera

There were so many giants and tigers
and scary and exciting things before
that I am pretty tired now.
I almost don’t have the heart to tell you
my overalls fell off somewhere back there
and I’ve been running through the swamp
in my underclothes. Nothing turned out
as I had planned it in my Big Adventure Notebook
even though I dragged around a basket of provisions
in a little red wagon. Even though I hired
a really attentive watch dog our hiding place was pillaged
and stripped for spare parts and sold at a chop shop.
Someone stomped out all my luminarias—
I’m not a fool. I know they weren’t essential,
but I like pretty things on fire; I like cat-o-nine tails.
Unexpectedly, a spontaneous band
moved in on our picnic table
halfway through the egg salad sandwiches.
We had to share and now I’m half naked
without dinner plans. And yes, by ‘my overalls’
I meant ‘your overalls’ and I am sorry
and I am sticky. And you are more talented at espionage,
which, I’m not ashamed to say, makes me jealous,
and frankly, surprised. From now on
I will watch you closer, little bear, little beast.

WISTFUL SOUNDS LIKE A BRAND OF FRESHENER | Bob Hicok

I will go to Belfast, Maine, and read my poetry to crabs.
I'll stand on a platform of some kind in the company of wind
and look at pennants waving and think of the claws
of crabs waving in the wind of the Atlantic and be sad.
It's not that I don't have enough sadness, but I'm always looking
for better, more aquatic or tastier sadness, for the kind
of light that comes when the sky tilts its head at dusk
and wonders, in colors we understand as language, why this all
has to end. I could doff a Bogart hat and wag a tough cigarette
between my lips, smoke muscling up from my mouth as I say, it just does,
sweetheart, it just does, but the psychology of the fedora
escapes me. There's bread and calisthenics and lice and radar
and jars of blue stuff in stores, and maybe what I'm doing
when I cry to certain songs at seventy miles an hour, is proving
I've noticed that out of the nothing that could be here,
everything is. So I will go to Belfast, Maine, and wonder
what it's like to stand beside Main Street in the winter,
I'll put my head against the brick buildings I'm betting
live there year-round and describe the tropics to them
by having warm thoughts, and if you'd like to meet me there,
I'll be the man in the t-shirt that has an extra sleeve
in case the third arm I need shows up, because so far,
I've dropped almost everything I'm desperate to hold.

CATCH A BODY | Ilse Bendorf

Salinger, I’m sorry, but “Don’t ever tell
anybody anything” is a string of words
I would like to wrap up in canvas and sink
to the bottom of the Hudson, or extract
by laser from the ribcage of all of us
who ever believed it, who felt afraid
to miss someone, to be the last one
standing. “Tell everyone everything” is
not exactly right, but I do believe that if
your mother looks radiant in violet
you should tell her, or when a juvenile
sparrow thrashes its wings in dustpiles
and reminds you of a lover’s eyelashes,
you should say so. We are islands all of us,
but we are also boats, our secrets flares,
pyrotechnic devices by which we signal
there’s someone in here we’re still alive!
So maybe it’s, “don’t be afraid.” We can
rewrite Icarus, flame-resistant feathers,
wax that won’t melt, I mean it, I’ll draw up
a prototype right now, that burning ball
of orange won’t stop us, it’ll be everything
we dream the morning after, even if we fall
into the sea—we are boats, remember?
We are pirates. We move in nautical miles.
Each other’s anchors, each other’s buoys,
the rocket’s red, already the world entire.

BUSH | Josephine Jackson

It is the sound of lions lapping.

They drink themselves

from the gold shapes that waver

and grow shallower.


Blue peels itself in the water-

hole; it is the sun coming.

Crouched, the lions meet

their matches at the surface.


The foxy jackals are far off

but the vultures cloud the flat treetop;

the drum of the zebra’s body

is lined with red sunrise.


The jackals and culture are waiting

for what happened under the moon.

The lions are through with it; they

lift their dripping chins and look ahead.


It is six o’clock on Christmas morning.

Now the lions have stopped lapping

the bush makes no sound

the cultures shift, but without sound.


The day is perfectly seamless.

Slowly the lions move like pistons past the dry grasses

the jackals do not move yet;

the vultures show patience.


The lions pass a thornbush and melt.

Though the whole day is unbroken

the passage of the sun will represent heaven;

the bones will represent time.

FOR THE DEAD | Adrienne Rich

 I dreamed I called you on the telephone
 to say: Be kinder to yourself
 but you were sick and would not answer

 The waste of my love goes on this way
 trying to save you from yourself

 I have always wondered about the left-over
 energy, the way water goes rushing down a hill
 long after the rains have stopped

 or the fire you want to go to bed from
 but cannot leave, burning-down but not burnt-down
 the red coals more extreme, more curious
 in their flashing and dying
 than you wish they were
 sitting long after midnight


/////////////////////////////

RIP Adrienne Rich, you changed my life.

THE LAYERS | Stanley Kunitz
ON THE MONA LISA | Anne Carson
CIRCLE OF SALT | Laura Kochman
BIG ADVENTURE II | Caroline Cabrera
BIG ADVENTURE I | Caroline Cabrera
WISTFUL SOUNDS LIKE A BRAND OF FRESHENER | Bob Hicok
CATCH A BODY | Ilse Bendorf
BUSH | Josephine Jackson
FOR THE DEAD | Adrienne Rich

About:

I want to be at least as alive as the vulgar. And if some aficionado of my mess says
"That's not like Frank!," all to the good! I don't wear brown and grey suits all the
time, do I? No. I wear workshirts to the opera,
often. I want my feet to be bare,
I want my face to be shaven, and my heart--you can't plan on the heart, but
the better part of it, my poetry, is open.
— Frank O'Hara

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